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Idealog—in the ideas business

Greenpeace unleashes potent multi-platform protest

Powerful, emotive and starkly original, Publicis Mojo‘s latest multi-platform campaign for Greenpeace is a simple yet stunning piece of PR, incorporating everything from pop-up art galleries to support from Radiohead.

On October 5, New Zealand suffered its worst ever maritime environmental disaster. The MV Rena cargo ship ran aground near Tauranga and spilled 350 tonnes of oil into the Bay of Plenty, killing 20,000 birds. As tragic as that was, a deep sea oil spill could be more than 1000 times worse. The BP oil spill in the Gulf of Mexico,  in April 2010, saw 627,000 tonnes of oil spilled over three months and it continues to leak fresh oil today.

Yet in its infinite wisdom, and in the noble pursuit of furthering international relations, the New Zealand government has welcomed foreign oil companies into our waters to prospect for deep sea oil.

To emphasise the risks of deep sea oil, Greenpeace asked Publicis Mojo Auckland to use the Rena oil spill as an example of the potential hazards. Hundreds of posters and 10 canvas artworks were created using the oil-covered bodies of birds killed during the disaster both as a memorial and a warning against a much greater catastrophe. Each print was an original, made with actual birds and oil from Rena.

These real oil prints were put up as street posters, and a pop-up art gallery was opened on December 12 in central Auckland. The Oil On Canvas exhibition is open until Sunday December 18 at 2 Queen Street, on the corner of Quay and Queen St. The price of entry? Simply to sign the petition.

One of the 10 canvas prints is up for grabs as a competition prize.  But the future of the others, and the hundreds of prints, is still being decided. Exceutive creative director Mike Barnwell says the exhibition may tour the country. Te Papa could be given one.

“There is also a chance the public could buy them – one idea is to auction them off, possibly on the anniversary of the disaster, to raise/recoup funds for the cause,” he said.

Individual direct marketing packs with sealed oil prints were dispatched to media and celebrities, along with ready-to-post protest petitions. Mojo also created a TVC using the images of the prints, set to music donated by Radiohead. Barnwell says it was all very much a team effort.

“We were looking at the Greenpeace website when we saw a picture of Thom Yorke, Radiohead’s lead singer, standing on board the Rainbow Warrior II.  We knew we wanted a big track, and it needed to be from a band like Radiohead. So when we saw that – it was the obvious answer. But it wasn’t easy. We had to get copyright permission from everyone, including the record companies… in fact the artist is the last person in a long line, but in the end they all said yes, and Thom Yorke was really supportive.”

This story originally appeared on StopPress.


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Comments

One of the the most powerful campaigns I've ever seen.
What a shame it was needed.

What a load of emotive eco-hype. Greenpeace won't rest until we're all living in trees again.


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